This is ‘linear’ editing of the camera tracks, per scene, within the sequencer of the scene. Just like a non-linear edit track, shots are chosen to best visually present the scene. In this case, though, the cameras are all in play and the edits jump between the cameras. It is akin to editing a live concert or sporting event.

This is the process of importing the handheld shots collected via Jetset. Applying the data recorded from a capture session to cameras and syncing them so that can be used in the edit track.

Using the prototype software ‘JetSet’ we can transfer our scenes to an iphone where it can be ‘filmed’, handheld, as though the operator was standing in the scene. JetSet is able to animate metahumans within your scene, along with that audio track, and you can shoot using the hands on physicality in the language that has been developed since the beginning of the film industry.